The Pleasures of Reading in an Age of Distraction - A Review

Why do you read?

I am something of an addict myself, so sometimes I’m not sure whether I am reading because it is an activity that I love, a duty that I own, or a habit that I need to break.

In particular, as someone who reviews books (I typically write 50-75 book reviews a year now), I find myself always with a book in my hand. This is, of course, something of a security blanket when people become too intrusive. For an introvert, a book can become an impermeable fortress that miraculously blocks out all noise and unwanted social interactions. (Except for that really annoying, fearful woman on a flight a few years ago who insisted on peppering me with questions as we crossed the country.)

And yet, despite my relative enjoyment of reading as an exercise, I find myself plodding through books that I do not really enjoy. Part of this is that I have committed to always read the entire volume (at least once) before I write a review. Amazingly, this is not something that all reviewers do, and it often is apparent from their reviews. However, there are other times that I end up holding a volume in my hands that has been deemed a classic (or at least notable in its field) pushing through even though I am gaining little pleasure and often even less value from it.

Books that I have acquired out of a sense of duty are intermingled on my shelves with the books I have read and enjoyed or at least profited from (I did not enjoyed Cormac McCarthy’s book, The Road, but I did profit from reading it.). Despite having been assigned The Brothers Karamazov as a sophomore in college (and doing well in that class), I still have not read it. Two copies of that auspicious volume sit on my shelves, staring at me like the roving eyes in the portrait of long deceased ancestor, but each time I pick up the book I find myself soon drifting to other interests. I have often been left disappointed in myself as a failure for not latching on to one of the great works of human culture.

Alan Jacobs provides an alibi for many of us in his book, The Pleasures of Reading in an Age of Distraction. This volume, written to bibliophiles who read voraciously, is a stark reminder that there is much more to reading than checking off a big to-do list, the completion of which authorized one to be deemed culturally astute, wise, or whatever.

As a professor of English and one deeply engaged in discussions of thinking and culture, Jacobs does not swear off reading from the canons of volumes curated by previous generations. He does, however, recognize that in our present age of constant distractions and competing demands for our attention we are likely to lose a great deal more by attempting to force our way through the works presently uninteresting than by reading according to our whim.

Instead, Jacobs pleads: “For heaven’s sake, don’t turn reading into the intellectual equivalent of eating organic greens, or (shifting the metaphor slightly) some fearfully disciplined appointment with an elliptical trainer of the mind in which your count words or pages the way some people fix their attention on the ‘calories burned’ readout. . . . This kind of thing is not reading at all, but what C. S. Lewis once called ‘social and ethical hygiene.’”

Whim, is, therefore the pursuit of one’s current intellectual interests. The pursuit of a sort of pleasure that may be more like the “runner’s high” that comes after breaking through “the wall” during a long run than the sugar-induced coma after consuming half of a cheesecake. That is, whim and pleasure ought not to be taken as a license to avoid hard works in favor of breezy novels, but rather to allow a mixture that fuels rather than smothers the engagement of the mind.

I think of my own habit or re-reading The Lord of the Rings approximately annually. (A habit I share with Peter Kreeft, so I have never felt too badly about it.) On one hand I do this because, although it is the forebear of a genre of fantasy for which I have little taste, each time I encounter the book I am deepened in my understanding of the true, good, and beautiful. Having read the story more than forty times has increased rather than diminished my pleasure in reading it. According to the reading list measure of intellectual greatness, which is often supported through works like Mortimer Adler’s How to Read a Book, I am losing time and missing opportunities to progress intellectually. However, my repeated re-reading of Tolkien’s masterpiece is an attempt to let the book master me rather than me mastering a canon of literature.

By re-reading works that I delight in and which ground me in humanity (I think of much of C. S. Lewis’s corpus), I am pointed toward and encouraged to delve more deeply into other books. I have yet to conquer Dostoevsky’s Brothers (though in my defense, I have read Demons), but someday I might. Alan Jacob’s book, The Pleasures of Reading in an Age of Distraction offers a comforting salve to my aching conscience reminding me that the purpose of my reading is to enjoy it, to be shaped by it, and not merely to eat my veggies.

Those who delight in reading will also take pleasure in Jacobs’ book on the subject. It is a sort of Inception for the bookish crowd, since it is a book about reading books. Above all, The Pleasures of Reading in an Age of Distraction, is a well-considered, well-written treatise on a subject that many of us hold very dear.

The Pleasures of Reading in an Age of Distraction

By Alan Jacobs

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Pursuing an Earthy Spirituality - A Review

When someone refers to something as “spiritual” it often conjures the image of something ascetic, disembodied, or concerned with something other than the physical world. That impulse is a result of gnostic impulses that are foreign to biblical Christianity. In truth, while there is certainly division between body and soul in the human, our earthly life is a significant part of our spirituality.

C. S. Lewis’s writing is powerful on many levels, which is part of the reason he remains popular today. One of the themes that makes Lewis so helpful is idea that joy is attainable on this earth as embodied beings. That is, Lewis teaches his readers that our bodily lives have value, can bring glory to God, and can be a source of delightful worship as we live, eat, and love.

Gary Selby traces the theme of embodied worship in his book, Pursuing an Earthy Spirituality: C. S. Lewis and Incarnational Faith. Selby contrasts an earthy spirituality to a “negative spirituality,” which emphasizes solely spiritual goods.

After a brief introduction, the book is divided into eight chapters with a short conclusion. Chapter One begins, not surprisingly, by analyzing what Lewis meant when he wrote of Joy. The second chapter considers the nature of God as a good creator who wants his creatures to delight in him through creation. Chapter Three explores the negative spirituality Lewis grew up with, which still plagues so many Christians. In the fourth chapter Selby considers a Lewisian spirituality, which calls believers to be both conscious of good things and to choose the good over the lesser. Chapter Five delves into the formation of character through a Lewisian spirituality. The sixth chapter applies the positive spirituality found in Lewis to the physical life, especially to eating, which is a significant topic in Lewis’s fiction. Chapter Seven deals with seeking out community with those whom we might otherwise avoid. In the eighth chapter, Selby explains an earthy spirituality can positively impact our hope of heaven. The conclusion ties the book together by revisiting the topic of joy.

More than five decades after Lewis’s untimely death, many of the possible topics about Lewis’s life and work have been written. There have been favorable biographies, critical ones. Dissertations of varying content and quality have been composed. For the most part, books about what Lewis said about particular topics have been written. There is, within the field of Lewisiana, a growing danger of repetitiveness or digression into meditations about “what Lewis means to me.”

Pursuing an Earthy Spirituality manages to avoid the status of retread. There is a great deal in this volume that overlaps other treatments of Lewis, but Selby writes well, thinks clearly, and presents Lewis in a way that is both helpful and interesting.

This is a book that does well by pointing the reader back to Lewis. It should be read after one has already read a great deal of C. S. Lewis, since Selby is integrating themes from across Lewis’s canon. Readers who have read The Chronicles of Narnia and a few of Lewis’s shorter non-fiction works will probably feel a little lost in this book. Those who have feasted on the Space Trilogy and many more of Lewis’s essays and non-fiction books will find Pursuing an Earthy Spirituality very engaging and delightful.

As such, this is a volume that belongs on the shelves of those who enjoy and have deeply read the work of C. S. Lewis. I expect to find myself referencing this volume in years to come as I continue to think and write about Lewis’s work.

Pursuing an Earthy Spirituality: C. S. Lewis and Incarnational Faith

By Gary S. Selby

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NOTE: I received a gratis copy of this volume from the publisher with no expectation of a positive review.

A Very Short Introduction to C. S. Lewis - A Review

One disconcerting trend among conservative Christian readers of C. S. Lewis is how little they know of his work prior to declaring themselves to be Lewis fans. Many of the most ardent college age fans of Lewis have read little more than his Chronicles of Narnia and perhaps a few essays out of God in the Dock before declaring themselves official devotees of the man. Some more fervent readers may have taken in Surprised by Joy and perhaps some of the Space Trilogy.

Having read the majority of Lewis’s published work (I’m not done yet, though I have aspirations), I generally consider it a good thing that people like Lewis. However, the reasons people like Lewis are often less well developed than he or his work deserves. A superficial appreciation of Lewis also enables a simplistic understanding of the man, his context, and the warranted legacy of his work. Lewis deserves much more than deep appreciation for having a gospel-centric storyline in a series of children’s fantasy novels.

Along the way of editing the forthcoming volume, The Christian Mind of C. S. Lewis, I’ve had the opportunity to read a great deal of the scholarship on Lewis. Some of it is more fan-fiction than critical interaction, which is discouraging. There are a handful of people that really dislike Lewis or have a clear disdain for him, both personally and professionally. However, there are some people who carefully engage Lewis critically, as aficionados, but not as hagiographers.

James Como is a contributing author to the volume of essays I am editing (for full disclosure), whose work I have previously reviewed. Hi\s relatively early volume in Lewis studies, Branches to Heaven, is an excellent analysis of Lewis from someone who is both a fan and a critic of Lewis. His most recent critical introduction to C. S. Lewis is, in my mind, the best place for individuals beginning their interest in the study of Lewis beyond The Chronicles to gain a foothold.

C. S. Lewis: A Very Short Introduction is a volume in the rapidly growing series of short introductions by Oxford University Press. Every book in the series has several limiting attributes: they are short and they are introductory. For those decades deep into the study of Lewis, Como provides little new data. However, what Como does masterfully well is write a lively text that covers the life and work of Lewis fairly comprehensively. Having read so much in the past year on Lewis, there is no doubt in my mind that this will remain a central volume for those seeking to understand the enduring appeal of Lewis.

Como’s book is a combination biography and critique, so it is organized in a generally chronological fashion. Moving through each of the stages of Lewis’s life and work, the reader gets a good sense of what shaped Lewis, why he was writing on the subjects he did, and how his overall work fits together. Without psychoanalyzing Lewis’s works (which he would have hated), the book makes connections that help the reader understand the context of Lewis. An image of an integrated mind, well-steeped in the historical teaching of Scripture and classical culture emerges. This is, based on my own study, deeply accurate.

In addition to the central content of the book, which is excellent, Como has also provided a topically sorted list of books that influenced Lewis, are significant within Lewis studies, and are helpful to understanding more about the man and his works. With decades of engagement in scholarship related to Lewis and his own understanding of much of the classical literature, that “extra” information alone makes this book worth the price.

Como’s writing is accessible. This is the sort of book that can be read by a teenager studying Lewis to increase their interest, enhance their understanding, and point them deeper into the mind of C. S. Lewis. This is also the perfect book to use in a college-level course on the work of C. S. Lewis. It is reasonably prices, concise, and points the way to Lewis’s work, instead of drawing attention to itself.

C. S. Lewis: A Very Short Introduction (Very Short Introductions)

By James Como

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NOTE: I received a gratis copy of this volume from the publisher with no expectation of a positive review.

Branches to Heaven - A Review

In the process of editing a volume of essays on The Christian Mind of C.S. Lewis, I’ve had the opportunity to read most of Lewis’s published works in the past year or so. I’ve also needed to read the secondary literature about Lewis to better understand his work and how it has influenced contemporary Christianity and even non-Christian literary interpretation.

Lewis is so popular among Christians that there are literally dozens of books broadly interacting with his work. This started even during his life and has continued unabated for the fifty years since his death. Many of the books are formulaic to a fault. They tell the story of Lewis’s early life, show how he was converted, then relate how his fiction was a form of apologetic, etc. A lot of these books are critically banal and biographical hagiographic. That works for a handful of introductory volumes, but it gets really boring to read when the differences between one book on Lewis and another are a few nuggets that someone identified along the way.

For those looking for an insightful introduction to the life and work of C. S. Lewis, I heartily commend the 1998 volume, Branches to Heaven: The Genuises of C. S. Lewis, by James Como. (I should note that Como is one of the contributors to the volume of essays I’m editing, but I commend the book on its merits, not based on personal connection.) Como has also published, Remembrances of C. S. Lewis, an early collection of first-person accounts from those who knew Lewis well. Como has stood as a bridge for those of us later scholars interested in Lewis who did not know the man and have not had opportunity to engage with those who met with and lived with a figure who has now risen to be a folk hero.

Como’s Branches to Heaven, manages to critically celebrate the life and work of Lewis. There is no question that Como is a fan, after all, the subtitle includes the word “geniuses.” However, Como critically engages with Lewis to show the strengths and weaknesses of his work, and points to some of the ways that Lewis, particularly in his early life, fell short of the Christian ideal. In particular, Como deals carefully with the obscure relationship between Mrs. Moore and Lewis, in a way that is respectful and simultaneously non-hagiographic. There is little question that Lewis was saved from sin and that his sanctification was progressive.

The most unique aspect of Como’s book is that he approaches Lewis’s work as a rhetorician. Como was professor of rhetoric and public communication. He situates the non-fiction, prose fiction, and poetry of Lewis within the context of classical rhetorical disciplines. This is exceedingly helpful because there is obviously a lot more going on in all of Lewis’s work than modern literary analysis tends to uncover, and that something has a great deal to do with Lewis’s own rootedness in the classical tradition. Como helps to explain the enduring draw of the work of C. S. Lewis because he helps to answer the question why Lewis’s work is so compelling, aside from its general agreement with orthodox Christianity. In other words, many other faithful Christians have done political commentary or fiction, but I can think of none that have been as enduringly effective as C. S. Lewis. Como’s analysis shows why that enduring popularity exists and why it is warranted.

For those casually interested in Lewis, Como’s book will be informative and engaging. For serious students of the legacy of C. S. Lewis, Branches to Heaven is essential reading.

Branches to Heaven: The Geniuses of C.S. Lewis

By James Como, Silence

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The Christian Mind - A Review

I picked up Harry Blamires’ 1963 book, The Christian Mind expecting to find an early entry into some of the worldview dialogues that have unhelpfully afflicted certain corners of conservative Christianity. While I still believe the term worldview can be helpful, it has, in certain circles, been coopted by a technique of applying simplistic categories and teaching people to argue against them as a way of apologetic debate. The result of that reductionistic development has been largely unhelpful in developing Christians and evangelizing the lost. However, thankfully, The Christian Mind is a robust appeal to a thick Christianity that resists the corrosive influences of secularism.

Blamires begins the book by diagnosing the problem: there are too few Christians who think distinctly from the secular world. The church, by and large, has a few bastions of thought and topics but no recognizable network of integrated thinking. Thus, the book opens up with a striking declaration: “There is no longer a Christian Mind.”

He explains that there are Christian influences in the world and that there are differences between elements of the Christian life and the world: “There is still, of course, a Christian ethic, a Christian practice, and a Christian spirituality.” As important as these things are, however, they fall short of the all-encompassing, unifying beauty of the Christian mind. On the whole, Christians have been better catechized to think like the modern world than as biblically saturated Christians.

According to Blamires, there are six marks of the Christian mind: (1) Supernatural Orientation; (2) Awareness of Evil; (3) A Unified and Concrete Conception of Truth; (4) Acceptance of Authority; (5) Concern for the Person; and (6) A Sacramental Outlook.

Each of these categories must be expanded and filled with explicitly Christian meaning, but the outline is helpful. Someone who denies the possibility of miracles and the truth of at least the miracle of the resurrection cannot be meaningfully Christian. A person who denies the reality of sin and evil cannot know repentance for their own sin, and thus cannot be a Christian. One who believes truth is subjectively determined and that there is not objective truth cannot be said to be Christian in any serious way. An individual who cannot abide the authority of Scripture and, to some degree, of the traditional theology of the Church, cannot be counted a member of those who think as a Christian. Those who do not value people as individuals and show concern for their spiritual and physical well-being do not show the marks of a Christian mind. And, finally, those that deny the goodness of creation are not thinking like Christians.

To be clear, one can fail at some of these categories and still be in Christ, though there are categories that are necessary for salvation. Blamires’ point is not to figure out who is and who is not a Christian, but rather to point out the characteristics of a mind that is shaped by authentic Christianity.

It would be a mistake to consider these one at a time, as well, since a broader emphasis of the book is the unity of the Christian vision of the world. But it is a unity that has at least these six attributes.

Blamires’ vision of the Christian mind is worth recovering, because he is calling Christians to think more faithfully and consistently. It would be a beautiful thing for Christians to lead the world in promoting beautiful art, thoughtful fiction, and an illuminating critique of the world around us.

An interesting facet of Blamires’ depiction of the Christian mind is that he does not argue for unanimity on prudential arguments. The Christian mind transgresses thought categories that we typically apply, like “liberal” or “conservative,” and individuals who are embodying the Christian mind fully may arrive at entirely different conclusions based on their reasoning.

In fact, the book is highly critical of those who think politically rather than as Christians first, he writes, “They will think pragmatically, politically, but not Christianly. In almost all cases you will find that views are wholly determined by political allegiance.” But, he also notes that even in 1963 it was difficult to find a conversation about the issues that matter that was truly Christian. Blamires is highly critical of the supposed virtue of loyalty, as a result of this thought pattern:

Loyalty may be said to be evil in the sense that if any action is defended on the grounds of loyalty alone, it is defended on no rational grounds at all. “I do this out of loyalty to my party” is irrational and amoral unless is it consequent upon, “My party is operating wholly and in every particular for the benefit of the human race.” “I do this out of loyalty to my leader” is irrational and amoral unless it is consequent upon, “My leader’s character, or purpose, or policy, is such that it ought to be supported.” Loyalty is in itself not a moral basis for action. Loyalty to a good man, a good government, a good cause, is of course a different matter. But in these cases, where one stands by a man, or a government, or a cause, because it is good, one is standing by the good. The basis of action in these cases is moral in that one is serving the good; and thus the concept of loyalty is redundant. One can therefore say fairly that whenever the virtue of loyalty is quoted as a prime motive or basis for action, one has the strongest reason for suspecting that support is being sought for a bad cause.

The book is filled with this sort of clear reasoning, which makes it helpful and worthwhile, especially in our turbulent times of constant chatter and questionable allegiances. This is the sort of volume that should remain in print and be read widely and deeply by Christians seeking to live faithfully for Christ in our present world.

The Christian Mind: How Should a Christian Think?

By Harry Blamires

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The Lion in the Waste Land - A Review

In the period after the first World War, the Britain was in an existential crisis. The nation remains, at least in name, a Christian nation. At that point, though, the requirement to attend services had been dropped, which subsequently revealed that much of the population had little interest in Christianity. When the pressure of German hostility and the subsequent Battle of Britain became a pervasive threat to daily life, that nations, with its vaguely Christian memories, began to wonder if the resources for survival might be found in the Old Paths of Christian faith.

That period of British history saw several key voices arise to present a credible vision of Christianity to a population that had forgotten the core tenets of the gospel. The first was G. K. Chesterton, who was a journalist and a novelist, and whose work both influenced and made possible the trio of writers that are the main subject of Janice Brown’s recent book, The Lion in the Waste Land.

From amidst the literal rubble of British cities and the figurative rubble of a culture devastated by the carpet bombing of modernity, C. S. Lewis, Dorothy L. Sayers, and T. S. Eliot stand out as prophetic voices pointing people back to the spiritual and cultural resources of Christianity. The Lion in the Waste Land puts the three contemporaries, who were also friends, into conversation and shows how the powerful truth of the gospel of Christ pervades both the non-fiction and fiction works of all three authors.

Summary

Chapter One reveals the continuity in the message of the three uniquely gifted individuals. It also traces how their friendships formed. In the case of the Lewis-Eliot friendship, Brown’s historical explanation is especially helpful since Lewis was vocally critical of Eliot’s poetry early on; yet, the two became friends and co-laborers in revealing authentic Christianity to the world. In the second Chapter, Brown articulates the methodologies used by the three authors: there were overt apologetic attempts by all three, but their more powerful presentation of the fierce redemption found in the gospel is found in their imaginative works. This chapter helps show why these three laypeople were so particularly effective in showing the credibility of Christianity and why they remain popular to this day.

After the first two chapters, The Lion in the Waste Land shifts from historical overview to literary analysis. What follows are several chapters where Brown explores literary themes that are common in the work of Lewis, Eliot, and Sayers and which relate to the truth of Christianity and the redemptive power of the gospel. In Chapter Three, the reader is treated to a thematic exposition of the figure of Christ in the work of all three authors. Brown traces through images—both overt and subtle—to indicate the pervasiveness of Christ in their literature. The fourth chapter surveys the idea of choice and God’s pursuit of humanity for their salvation. This is a theme that is present in much of the work of Eliot, Sayers, and Lewis, and one that forms a unity with the idea of a fierce redemption by God. Chapter Five interrogates the work of the three subjects for uses of angelic figures. These supernatural beings populate the imaginative worlds of the apologetic trio, offering a start contrast to the anti-supernatural vision of modernity.

Having unpacked some of the central Christian themes in Sayers, Eliot, and Lewis, Brown again shifts her focus to the methods and impact of the three writers in their particular cultural-historical context. Chapter Six outlines how the work of the three authors was shaped by and responded to the particular sufferings of Britain during World War II: their message was received and promoted because it offered a plausible source of meaning for a nation teetering on the brink of despair without adequate resources to stand firm. In the seventh chapter Brown explores the deeper message that was offered by all three authors: redemption begins the journey toward the joy in union with Christ. In this chapter Brown delves into the concept of the Christian life as it is portrayed by Lewis, Eliot, and Sayers. In the final chapter, the book emphasizes how each of the subjects was pushing readers back toward historical Christianity, where the resources for salvation and sanctification could be found, rather than toward a revised, modernistic version of Christianity. This is particularly powerful, since all three were particularly Modern authors, but all three pointed people back to resources from the traditional faith of the Church—a distinctly un-modern thing to do.

Analysis and Conclusion

The Lion in the Waste Land is an excellent scholarly work on three of the most interesting people to live in the last century. Brown combines excellent literary criticism with careful biographical research to present a cogent vision of the impact that Lewis, Sayers, and Eliot had in their particular context and continue to have, particularly in the English-speaking world.

This book should remain a mainstay in Inklings studies for decades in the future. Brown’s work is careful, subtle, and reasonably comprehensive. It is both an example of a critical work done well and work of scholarship that will be intensely interesting to those engaged in the study of modern English literature, particularly in the works of Eliot, Lewis, and Sayers.

The Lion in the Waste Land: Fearsome Redemption in the Work of C. S. Lewis, Dorothy L. Sayers, and T. S. Eliot

By Janice Brown

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The Faun's Book Shelf - A Review

A quick glance at the work of C. S. Lewis could cause the casual observer to divide his work into several distinct bundles. The first is his apologetic work, which was really his cause for fame, in which category I would include his substantial journalistic engagement. The second category that is easy to recognize is his fiction. And, the third category, which is often ignored by all but his more ardent fans, is his professional work in literary criticism.

All three categories are significant. And, in all three categories, readers get a consistent witness to the author. The ideas of C. S. Lewis are clearly present through three significantly different genres of writing. This sort of consistency is part of what makes Lewis worthwhile to read, even when some of the issues he addresses are no longer major topics of concern.

Though he is consistent throughout his work, C. S. Lewis’ fictional work is the most significant. In his technical work on literature, Lewis shows how culture has shifted regarding epistemology. In his apologetic and journalistic work, Lewis argues why it is better to be a Christian. However, in his fictional work, Lewis illustrates what is wrong with contemporary thought and how realistic, Christian modes of thought can make the world a better place.

By writing fiction, Lewis makes concrete what is somewhat abstract in his non-fiction writing. (Though as writers go, his non-fiction is much more concrete than most.) This is, in part, a result of his understanding of and reliance upon the power of myth.

In his recent book, The Faun’s Bookshelf, Charlie Starr traces the power of myth—or, in contemporary parlance, the power of story—in C. S. Lewis. The main argument is advanced on two levels: (1) Starr shows how Lewis uses pre-existing myth and weaves it into his fiction, (2) Starr also demonstrates how Lewis creates myth to convey his ideas in a convincing way. The exploration of these topics is set in the larger context of considering why myth matters and how it can be used by those of us who are not literary geniuses like C. S. Lewis. Starr, a former English professor, focuses on the work of Lewis, but his broader point applies to the use of myth and stories in all media and genres.

The book is divided into four parts, each with three chapters. In Part One, Starr explores the general definitions of myth, including the idea that myth may not mean fictional. Rather, Starr presents a vision of myth that is consistent with Lewis’: Myth may well be the careful retelling of true stories in an evocative, imaginative manner. Part Two examines how Lewis used pre-existing cultural myths in his fictional work to deepen the myth he is creating. For example, Lewis borrows Silenus from Greek mythology and puts him on the shelf of a Narnian faun with the book title, The Life and Letters of Silenus. Starr explores how that title reflects the Narnian longing for a better time of feasting and celebration.

In Part Three, Starr flips the script to examine the way that Narnian mythology questions the reality of our world, especially with titles like, Men, Monks, and Gamekeepers; A Study in Popular Legend. The reader knowns that men, monks, and gamekeepers exist—or that they existed—but those realities appear to be distant legends in Narnia. So may our myths bear the echoes of truth with a great deal more clarity than we realize. Part Four takes up more general questions necessary to understand Lewis’ approach to myth, by considering Lewis’ broader thinking on myth, the influence of Norse mythology in his life, and taking up a somewhat obscure but important possible contradiction in the writing of Lewis on myth.

The Faun’s Bookshelf is a worthwhile book based on two distinct contributions. First, Starr has done good work in synthesizing Lewis’ thought on myth and providing context for much of his use and reuse of myth. This makes the book a valuable resource for Lewis studies. Second, the book takes up the important question of the power of stories to shape culture. As people grapple with the acquisition of meaning and the power of myth, a study that shows how an expert used fiction to deepen reality is a welcome contribution.

This book will be most interesting for those that enjoy Lewis already. It is well-written in accessible prose, so that it should not be consigned to the stacks of academic libraries. The Faun’s Bookshelf would be an excellent secondary text for a university level course on C. S. Lewis, or even as part of a high school elective. Meanwhile, the book explores important questions that can deepen ongoing discussions on Christian participation in the arts.

The Faun's Bookshelf: C. S. Lewis on Why Myth Matters

By Charlie W. Starr

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NOTE: I received a gratis copy of this volume from the publisher with no expectation of a positive review.

The Fellowship - A Recent Book for Inklings Fans

For many fans the Inklings, anything about C. S. Lewis, J. R. R. Tolkien and their assorted friends is welcome. We’ve pored over the literary works of both men and the apologetic contributions of Lewis and still celebrate any tidbit that might help to explain why their stories move us so deeply and inspire us to live more richly.

At this point, decades after the last of the first-generation Inklings have died with only Christopher Tolkien—J. R. R. Tolkien’s son—­­still alive, many books have been written about this literary club and their assorted works. And yet, avid readers still snap up new entries into the discussion. In reality, there are still untapped manuscripts, correspondences, and connections to be made, so many of these works make legitimately original contributions to the field.

The 2015 volume The Fellowship: The Literary Lives of the Inklings is just such a volume. Penned by a husband and wife team who both teach at Smith College, Philip and Carol Zaleski, this book groups Tolkien, Lewis, Owen Barfield and Charles Williams. Barfield is much less discussed in Inklings studies, in part because his public prominence largely occurred after the Inklings had ceased meeting and in part because of his connection to Tolkien and Lewis. Williams is better known, but less popular than Tolkien and Lewis, in part because of his esoteric version of Christianity.

The Zaleski’s have accomplished a feat in this volume. They have written a scholarly tome that is lucid and engaging. There are places where the tempo drags a bit, but given there are just over five-hundred pages of text, enticing the reader to make it to the finish line is in itself an accomplishment.

Summary

The format of the book is mainly chronological, though in an attempt to weave back and forth between the four figures they are discussing, there are points where the tales get out of order. However, the markers in the text are clear and shift in timeframe does not result in a confused muddle, as it too easily can. Overall, the book emphasizes the literary lives of Tolkien and Lewis more than the other two. This makes sense, since Barfield and Williams are less publicly known, have a less significant body of work, and are interesting in large part because of their influence on Tolkien and Lewis.

The book is a literary biography, which means that it emphasizes the written work of the four men, using biographical data to inform the argument. It shows how their literary works developed and the circumstances under which they evolved.

In our day of electronic communication, one wonders if such a project will be possible for whoever contemporary authors of interest will be. However, the Inklings left behind ample correspondence, diaries, and other artifacts to piece together a reasonable history.

Analysis and Conclusion

The weakness in this volume, as in many literary accounts of the Inklings, is that theology is handled in a confusing and sometimes non-discerning manner. Specifically, the four Inklings discussed in this volume are all discussed as equally Christian. Yet, Williams was syncretistic, bringing elements of the occult and other mystical theories into his Christianity. Similarly, Barfield engaged in downright pagan practices. Both Barfield and Williams were quite far from any orthodox version of Christianity, but those divergences are glossed over in this volume. Additionally, the Zaleski’s—who are Roman Catholics—take great pains to pitch Lewis as on the threshold of Catholicism in several instances. They are also apologetic as times when Lewis makes statements that clearly differentiate Christianity from other religions, particularly Judaism. As intriguing as this volume is, it isn’t clearly a reliable source for the theological lives of the Inklings.

That notwithstanding, this is an excellent book. Others who are interested in the Inklings will find this a rich resource that should influence Inklings studies for years to come. The Zaleski’s should be applauded for their careful research and elegant prose.

The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams

$9.24

By Philip Zaleski, Carol Zaleski

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Note: I received a gratis copy of this volume without expectation of a positive review. Also, the above link is an affiliate link.

Lewis, Tolkien and the Shadow of Evil - A Review

If you’re like me, finding a grocery list written by J.R.R. Tolkien or C.S. Lewis would be a treat and make for enthralling reading. Therefore, I suppose it comes as little surprise that I enjoyed the recent book by Colin Duriez, Bedeviled: Lewis, Tolkien and the Shadow of Evil.

This book is a literary analysis that traces the theme of evil through the major works of both men, weaving through Middle Earth, Narnia and more. As an expert in the study of the Inklings, the informal club of scholars Tolkien and Lewis belonged to, Duriez demonstrates mastery of both the literature and the history of the two men.

Summary

The book is divided evenly into two parts. Part 1 focuses on the influence of the wars on the perception of evil. Although Tolkien resisted reading his works allegorically, there can be little down that his experience in World War I was influential in his work. The same is true for Lewis. The horrors of World War I, which both men experienced firsthand, including life in the trenches and being wounded, could not help but increase their understanding of suffering. This particularly since the so-called War to End All Wars was senseless in its cause and its manner.

Part Two deals with the intersection between good and evil. In particular, Duriez maps out ways that goodness overcomes sin and temptation, leads to change, and shines through with joy despite the pain of the present world. These themes are apparent in Tolkien’s Leaf by Niggle and literature of Middle Earth. They are also constantly brought to mind in most of Lewis’ works.

Analysis

Considering just the two most famous fictional works of both men, The Lord of the Rings and the seven part Chronicles of Narnia, there is a progression from a fallen state toward heavenly redemption in both works. In fact, by including all of Tolkien’s Middle Earth works and taking the Narnia sequence in chronological order with The Magician’s Nephew at the beginning, the movement through the pattern of creation, fall, and redemption is quite obvious.

What Duriez makes clear in his analysis is that there is a true, biblical notion of good and evil behind the fictional webs created by two Oxford dons. In fact, both the Roman Catholic, Tolkien, and his Anglo-Catholic friend, Lewis, were rather Augustinian in their approach to evil. That is, evil was not a thing in and of itself, it was the deprivation of goodness. This is most clearly seen in Tolkien’s descriptions of orc as twisted elves, and not a new creation. Evil is inherently non-creative, it mocks by copying but it does not make.

This perception of evil, then, shapes the way the two men view the proper response to evil. Both men questioned the widespread bombing of civilians during World War II because the optimal response to evil is not to destroy it, but to reform it. And, as they both show in their literature, there is hope for redemption. Evil will one day be beaten back and the good will win.

One of the more helpful aspects of Duriez’s book is his work on The Great Divorce. Lewis’ account of the journey of some people from Hell to Heaven often leads to questions about Lewis’ view of the eternal state and the possibility for redemption after death. Duriez helps to resist that criticism as he points out that it was not Lewis’ intention to create a work of theology that represents the way things will be after death. Rather in The Great Divorce Lewis is delving into the human psyche to show how strong the tentacles of sin are wrapped around the self, keeping people from accepting redemption even when it can be seen in its fullness.

Duriez shows how both authors presented an accurate image of the world and pointed people toward faith and hope instead of despair. The work of Lewis and Tolkien continues to be popular largely because of the realism behind the fantasy, which culminates in the eschatological victory of good over evil. Their stories, and Lewis’ apologetic work, point toward something that is great, gracious and desirable.

Conclusion

This is an enjoyable piece of scholarship. Duriez’ love for the subject comes through in every page and his vibrant prose make reading this a real joy for those that are fans of the Inklings. For those that are literary minded, this would be a good way to be introduced to or deepen appreciation for two of the greatest English authors of the Twentieth Century. For those less interested in literary analysis, this is still an enjoyable read because so much of what Tolkien and Lewis wrote about still helps to explain the human condition in our contemporary times.

Bedeviled: Lewis, Tolkien and the Shadow of Evil

$12.49

By Colin Duriez

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Note: A gratis copy of this volume was provided by the publisher with no expectation of a positive review.

Editor's Note: This post has been modified to note the concerns of Aaron Earls (@wardrobedoor) about whether the chronological reading of the Chronicles of Narnia is, in fact, in accordance with Lewis' preference. His discussion of the concept can be found here: http://ow.ly/NSPh7 

Trevin Wax (@TrevinWax) has previously addressed the order of reading as well: http://ow.ly/NSPh7