Splendour in the Dark - A Review
There are those of us who would be delighted to read a shopping list that C. S. Lewis wrote. In the world of scholarship, there would be a rush to dissect it, look for literary imagery, and find out where the reference to plums coincides with one of the many feasts in the Chronicles of Narnia, demonstrating how personal the feast really was for Lewis.
As a result, the recent publication of the Wade annotated edition of Lewis’s Dymer along with analysis by Lewis expert, Jerry Root, will find a healthy reception in the world of Lewis studies. This book, Splendour in the Dark, is a good piece of scholarship that will help fill a gap in Lewis studies.
Prior to his conversion, Lewis published two books. Both were volumes of poetry. The first was a cycle of poems that were, largely, completed in the trenches of World War I. Spirits in Bondage is an early work, which shows both flashes of potential and points of weakness. Similarly, Dymer tells an interesting story, but has points of strength and elements of weakness. Were Lewis a lesser writer, these volumes would no longer be in print and rarely, if ever, discussed.
However, because of who Lewis is and has become among contemporary Christians, early works like Dymer will get discussed and related to his later works and evidence in the trajectory of his thought examined. Dymer provides rich soil for research.
The poem is something of a fantasy. It begins with a young man in a totalitarian society who breaks free having struck his teacher so hard that the teacher dies. Dymer, the title character, then goes on a journey, finds a palace, has a tryst with a goddess, meets a magician who shoots him, and eventually comes to grips with his own fantasies. The story is, in fact, quite engaging, though there are points where the narrative poem is heavy sledding. This is a poem for those seeking to study Lewis rather than for those seeking to study excellent poetry.
David Downing, the codirector of the Marion Wade Center at Wheaton, added notations to the 114-page poem, which clarify at a few points terms or allusions that are likely to get past a reader a century removed from its publication. Then the work itself is followed by several essays by Root analyzing it, with responses from some of his Wheaton colleagues.
Taken together, this reprint with annotations plus scholarly analysis by a leading expert in the field is well worth a place in the library of someone interested in Lewis studies and the college library. Root’s essays help tie Dymer to Lewis’s broader thought life. He helpfully shows where some of the pre-conversion ideas Lewis shows forth in Dymer are cultivated and bloom more vigorously in later Lewisian works. Root’s analysis is excellent, bringing to bear his decades of study in Lewis. The responses by various other Wheaton professors are at some points interesting and at some points a bit frustrating. None of the three respondents are C. S. Lewis experts, but two English professors and a theatre professor who are well-credited in other areas. Their lectures begin with too many apologies for their own lack of expertise, which is likely a testament to Root’s status in the field of Lewis studies and the obscurity of this poem—it is quite easy to find people who have strong opinions and understanding of, say, The Chronicles of Narnia, but this project likely was well outside their comfort zone. In any case, there are some helpful tidbits in the essays, but their contribution was likely strongest in their delivery as a response to a friendly audience in the moments after Root delivered his three lectures. What does come from each of the respondents is the sense that Dymer is, in fact, a second-rate poem. It is significant, but not excellent. Good, but not great. So, this book is valuable for Lewis-lovers primarily.
Read for what it is—a reprint edition with helpful annotations and commentary on a neglected work by a famous author with a brilliant mind—this is a solid book. The purpose is accomplished with skill and quality. Splendour in the Dark is exciting for those of us who love talking about Chronicles, Surprised by Joy, and the ‘A’ Side works, but really want to go beyond. It is a good entry in that conversation, which will prompt further study, deepen the understanding of Lewis’s pre-conversion work, and generally enrich an ever-growing body of literature.
NOTE: I received a gratis copy of this volume from the publisher with no expectation of a positive review.
The way we talk about humans also has moral implications, which are more significant than how we treat our pets. In his 2011 book, Less than Human: Why We Demean, Enslave, and Exterminate Others, David Livingstone Smith explores how language changes culture and leads to the justification of extreme violence against others, especially when they become perceived as less than human.